Flossie was sceptical. “Why hasn’t it done it before?” she wanted to know. “Good Lord! There’s been enough of it.” Arthur was still away when she arrived home. He had gone to Norway on business. Her father was afraid he would find it difficult to get back. Telegraphic communication had been stopped, and they had had no news of him. Her father was worried. A big Government contract had come in, while many of his best men had left to enlist.!

Mud! that seemed to be the one word with which to describe modern war. Mud everywhere! Mud ankle-deep upon the roads; mud into which you sank up to your knees the moment you stepped off it; tents and huts to which you waded through the mud, avoiding the slimy gangways on which you slipped and fell; mud-bespattered men, mud-bespattered horses, little donkeys, looking as if they had been sculptured out of mud, struggling up and down the light railways that every now and then would disappear and be lost beneath the mud; guns and wagons groaning through the mud; lorries and ambulances, that in the darkness had swerved from the straight course, overturned and lying abandoned in the mud, motor-cyclists ploughing swift furrows through the mud, rolling it back in liquid streams each side of them; staff cars rushing screaming through the mud, followed by a rushing fountain of mud; serried ranks of muddy men stamping through the mud with steady rhythm, moving through a rain of mud, rising upward from the ground; long lines of motor-buses filled with a mass of muddy humanity packed shoulder to shoulder, rumbling ever through the endless mud. She hoped he had not seen them. What a little fool she was.

Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. At a corner where the trams and buses stopped she lingered for a while, watching the fierce struggle; the weak and aged being pushed back time after time, hardly seeming to even resent it, regarding it as in the natural order of things. It was so absurd, apart from the injustice, the brutality of it! The poor, fighting among themselves! She felt as once when watching a crowd of birds to whom she had thrown a handful of crumbs in winter time. As if they had not enemies enough: cats, weasels, rats, hawks, owls, the hunger and the cold. And added to all, they must needs make the struggle yet harder for one another: pecking at each other’s eyes, joining with one another to attack the fallen. These tired men, these weary women, pale-faced lads and girls, why did they not organize among themselves some system that would do away with this daily warfare of each against all. If only they could be got to grasp the fact that they were one family, bound together by suffering. Then, and not till then, would they be able to make their power felt? That would have to come first: the Esprit de Corps of the Poor. In her white night dress, with her hair in two long plaits, she looked at herself once more. She seemed to be no one of any importance at all: just a long little girl going to bed. With no one to kiss her good night.